整體作品 (Overall)  

-Thuc, Caroline Ha. Art should remain free [online]. ArtAsiaPacific, No. 102, Mar/Apr 2017: 24.
Kingsley Ng and Stephanie Cheung, Etudes For the Everyday Practice Guide, Osage Art gallery, Hong Kong, 2015, pp. 139 – 140.
- C. A. Xuan Mai Ardia. “ 5 Hong Kong women artists to know now.Art Radar Asia, 25 April, 2014.
- Luise Guest. “ Contemporary Women Artists in Hong Kong" theculturetrip.com. 30 Oct. 2013.
- Andrews, Julia Frances and Kuiyi Shen. The Art of Modern China. Berkeley, CA: U of California Press, 2012, pp.239.
- Chang Tsong Zung, Serenella Ciclitira (ed.), Hong Kong Eye: Hong Kong Contemporary Art, Parallel Contemporary Arts Limited, Milano, Italy, 2012, pp. 226-229.
- Lam Suet Hung, Visual Art Writings: Hong Kong Visual Art and Creativve Era Hong Kong Mguru Limited, 2008, pp. 39-41, 44-45. (
視藝文集:香港視覺藝術與創意時代)
- Zhu Qi (朱琦), History of Hong Kong Art (香港藝術史), Hong Kong: Joint Publishing, 2005, pp. 268-9.
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女性主義美學審視:私 密 /公共?個體 /政治?性別/後殖民?—— 以後殖民的香港青年女性藝術為例, 文潔華 (英 ) 著 胡 笳 譯 ,教統局 藝術教育組 2007 年 1 月。
-《裝置藝術玩互動 本地藝術家樂在其中 》2006年2月
樹仁同學的訪問,他們相當認真,做了大量資料搜集才來做訪問,訪問也大都相當準確地表達了我的意思。只是《玲夢》不算是我最喜愛的作品,作品不能實現,有點遺憾。文中說「在裝置藝術尚未流行的九十年代初」,漏了「香港」二字,那時裝置藝術在香港不算流行,在外地是否流行,則不敢包。
- (sanitary napkin series and web projects) PHOEBE MANS ART: MASQUERADE? OR MASK-AWAY?!, Wong Ka Lam, Jess, 2003
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(my work 1996-2002) 文晶瑩的平常事, 梁寶山, 2002(pdf file)
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(my work 1994-2000)文晶瑩訪問梁寶山,2001(pdf file)
--.(my work 1994-2000)素顏—文晶瑩, 蔡穎儀, 香港新婦女協進會《女流》 2001,2001(pdf file)
-(my work 1994-2000)美麗的花—文晶瑩的藝術創作, 謝慧青,新朝藝術雜誌,2000年5 月。(pdf file)
- (my work 1990-1998) 一切從真實的感觸出發─ 看文晶瑩的藝術, 文潔華,1998(pdf file)
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(my work 1990-1998) 文晶瑩專訪,文潔華,1998(pdf file)

重寫歷史系列 (Rewriting History series)

- Frank Vigneron, “Theory as Practice and Practice as Theory: Praxis and the PhD in Art”, Proceedings of Symposium on Development of Arts Education, Hong Kong Art School, 2017, pp. 62-63.
- Intimate Transgressions, Center for Asia Pacific Affairs, October, 2015, pp. 42, 43. [exhibition catalogue]
- Jen Lewis , Widening the Cycle: A Menstrual Cycle & Reproductive Justice Art Show, Blurb, May 2015, pp. 66 – 67. [exhibition catalogue]
- Frank Vigneron, “Phoebe Man : Réécrire une histoire” Paroles Magazine, Alliance française de Hong Kong, Nov & Dec, 2012, pp. 32, 33.
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The Room of Her Own, Bureau of Cultural Affairs Kaohsiung City Government, October 2012, pp. 80 – 83.   [exhibition catalogue]   
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Hsieh Hui Ching and Peng Jia Huei,TheSlender and Tough Inner Strength, Women should Have Their Own Room (纖細而堅韌的內在力量,女人們要有自己的房間)” Artists, Taiwan, Volume 445, June 2012,pp. 326-8.
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Sam Gaskin, “What does feminism have to do with Chinese art? OV Gallery's new exhibition, "Shifting Definitions," asks if women's issues are only Western issues.” CNNGo.com, 9 November, 2010. Web 19 October 2011.
- 纖細而堅韌的內在力量,女人們要有自己的房間,謝慧青、彭佳慧藝術家雜誌,445期, 2012年6月, 頁326-8。
- 女性主義三部曲——談香港伙炭「重寫歷史-文晶瑩裝置藝術」展 翟宗浩,藝術家雜誌,430期, 2011年3月, 頁334-337。
- 女性主義三部曲及文晶瑩裝置作品 翟宗浩明報月刊,2011年3月, 頁91-97。
- 從文晶瑩談到女性主義翟宗浩信報 ,2011年1月17日。
- 伙炭十年: 重寫歷史: 文晶瑩裝置藝術 ,李翠茵,海聲 Up to u (香港珠海學院校內刊物) ,2011年3月27日。
-用藝術來「重寫歷史」,Edward, 新報, 2011年1月13日, 頁B12。
-.創作對抗侵犯與歧視,am730,2011年1月12日。
- My favorite part is the use of glass to create layers. Shadow is produced on the lower layer. The paper on the top not really 'touches' the lower layer but somehow they are connected. To me, it is a symbolic meaning to represent deeper means of sexual assault. Max Chan, “Fotanian Open Studios 2011.” C:, 16 January 2011. Web 19 October 2011. < http://maxchan0318.blogspot.com/2011_01_01_archive.html>
- 《重寫歷史》文晶瑩, 如果可以重返過去",Chris, Webgazine, CityReborn Volume 5, 2011年2月。< http://cityreborn.com/node/1248>, Webgazine;亂倫性侵研究所,台灣, 2011年1月8日。http://incestrapestudy.blogspot.com/2011/01/blog-post_08.html
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記者和觀眾的問題及文晶瑩的答案 Audience’s questions and Phoebe Man’s Answers
http://www.cyman.net/RW/RWQA.htm

網絡藝術 (Web Art project)

1.網際社會中性別主體關係的流動和變遷─閱讀文晶瑩的網路藝術陳香君發表於中華民國

藝評人協會舉辦的「異化和演替中的華人當代藝術:2002年國際華人藝評會議」,20021213-15(pdf file)

2. 第七章:性別關係與自我陳香君,藝術解碼: 記憶的表情- 藝術中的人與自我,台北東大圖書公司,2006。(pdf file)
Elsa Chen, “Gender Relationship and Self Identity,” The Expression of Memory, Dong Tai Book Ltd., Taiwan, January 2006, pp. 94 -105.

3. 藝術概論, http:// web.nutn.edu.tw/gac220/index2/plan1/report/網指之間-生活在科技年代/藝術概論.doc(pdf file)

錄像 (Video)

- Gender, Genitor, Genitalia – Rokudenashiko Tribute, September 2015, pp. 82,83,113. [exhibition catalogue]
- Tony Chun-Hui Wu, “以遊戲玩樂的生活實驗翻轉符碼 -專訪香港錄像藝術家文晶瑩 (Changing rules by funny games and life experiments: Interview Hong Kong Video Artist Phoebe Man)”, West of Taiwan, East of Asia: A Study of Asian Experimental Film, 恆河出版社Le Ganges Edition, Taiwan, December, 2015, pp.289 – 296.
- VideoFocus, Stigmart Art Review, Autumn, Special Issue, Italian, July, 2014. pp. 54 -61.
-《網絡裡的身份偽裝和性別》講座─文晶瑩作品補遺  梁寶山E+E,進念二十面體, 2003年春/夏,第六期,頁56-57(pdf file)

- <<Faking Identity and Gender on the Internet>> forum-on Man Ching-ying's works, Leung Po

Shan, translated by Yeung Yang.
- 女性創造影像,影像推動波瀾:訪女性影展策展人, 黃怡玫,放映週報。

- What Does a Woman Want? - Work by Phoebe Man by Elsa Hsiang- Chun CHEN, Subjected Culture: Interrruptions and resistance on femaleness, edited by Graciela Ovejero, Peras de Olmo [TM], 2008.(pdf file)


衛生巾系列 (Sanitary Napkin Series)

Jen Lewis, Widening the Cycle: A Menstrual Cycle & Reproductive Justice Art Show, Blurb, May 2015, pp. 66 – 67. [exhibition catalogue]
Phoebe Wong, 百味情色雜菜煲自顧自地翻滾…… (Review of the exhibition ‘Ten Million Rooms of Yearning. Sex in Hong Kong’.) International Association of Art Critics Hong Kong (AICAHK), 18 August, 2014.
- 文晶瑩的作品給我的啟示---從「藝術意義」的角度探討文晶瑩衞生巾系列的作品曾秋容2004827(pdf file)

- Discovering the taboos of menstruation among the younger women in HKU by Selina Wan 2003 (using my work as illustration)

- 「正經事」對話,梁寶山,文晶瑩,1998(pdf file)

- P-read Conversation between Leung Po Shan and Phoebe Man, translated by Yeung Yang, 1998.

- 香港女性藝術, 阿三與石明慧、李百康、鮑慕貞合作撰寫 (http://www.hkbobby.com/ah3/c_women.htm)

香港系列 (Hong Kong Series)

- A Documentary of Talkover/Handover, 1a space, Hong Kong, 2007, pp. 3-4. [exhibition catalogue]

- Visual Arts Thematic Exhibition 07/08: HarmoNow 3D & Installation Art Exhibition, Artist Commune, Hong Kong, 2007.pp. 54, 55. [exhibition catalogue]

- Playground, Kao Yuan University, Taiwan, December, 2006, pp.11-16. [exhibition catalogue]
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藝術媒介的探索與發展, 文潔華, 2004年10月07(pdf file)

- 社會政治事件的藝術回響, 文潔華, 2004年10月06(pdf file)

-私人(經驗)與公共(展覽), 文潔華, 2004年10月05(pdf file)

- .個人歷史與創作, 文潔華, 2004年10月04(pdf file)
- .“ 97 Reunification, I am very happy... Ming Pao Weekly (明周文化), June 9, 2017, Facebook.

Shih J. J. ed. IN THE NAME OF ART Hong Kong Contemporary Art Exhibition, Taipei Culture Foundation/ Museum of Contemporary Art, Taipei, Taiwan, December 2015, pp. 76 -103. [exhibition catalogue]

Dorinda Neave, Lara C.W. Blanchard and Marika Sardar. Asian Art,  Pearson, United States, 23 Jan., 2014, pp. 236, 237.

雕塑 (Sculpture)

床與椅子的迷思〉,謝慧青,《藝術家》雜誌,2000年12月。(pdf file)